Essay/Term paper: Edgar allen poe's murders in the rue morgue
Essay, term paper, research paper: Edgar Allen Poe
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"The Murders in the Rue Morgue"
	In Edgar Allen Poe's short story, "The Murders in the Rue Morgue", a 
classic detective story is played out in a seedy Paris suburb. The story begins as 
the narrator meets Monsieur C. Auguste Dupin, a poor but well-read young man. 
As they become close friends, they live together in seclusion, departing only 
briefly each evening to take introspective strolls along the dark Paris streets. 
Soon both the reader and the narrator begin to see Dupin's intimate knowledge 
of the human mind, always an underlying element in Poe's prose. Dupin's 
extraordinary observances are made by retracing a "course" of human thought 
until an endpoint, the thought that is presently in the subject's head, is reached. 
With this still fresh in mind, Poe gives us a mystery taken right from the local 
Gazette, two recent murders with questionable motives and circumstances, the 
search for the murderer has proved futile. Poe's stage is now set. The murders, 
of Madame and Mademoiselle L'Espanaye are then related by a series of eleven 
eyewitnesses, a diverse mix of occupation and culture. However, they concur on 
one point: all heard an indistinguishable voice ("that of a foreigner") and one of 
an angered Frenchman at the scene of the crime. As the account of the last 
witness is registered, Dupin and the narrator decide to examine the apartment 
on the Rue Morgue for themselves. The Sherlock Holmes-like protagonist does 
not disappoint us. Dupin assures the narrator that he knows who the culprit is, 
and he is indeed awaiting his arrival. After collecting evidence and careful 
analysis, Dupin seems to have solved the murder beyond the shadow of a doubt. 
The strange circumstances lead Dupin to believe that the perpetrator could not 
have been human but of the animal kingdom. He cites an orangutan as the killer, 
an escapee from a careless owner. This accounts for the grotesque methods of 
murder and the foreign "voice" that is heard at the scene of the crime. The angry 
Frenchman witnesses mentioned was the ape's owner, who discovered his pet's 
plunder after it was too late. Dupin is correct in his accusation and places an ad 
in the Gazette for a found orangutan. The owner comes right to him, and the 
mystery is solved.
	"The Murders in the Rue Morgue" is a showcase of Poe's amazing writing 
style, and the short story is full of rhetorical devices. Two literary devices that 
are evident are Poe's creative use of point of view and gothic setting. "The 
Murders in the Rue Morgue" is told in the first person point of view, presumably 
Poe's view, acting as a narrator. This point of view provides for a more intimate 
relation of the sordid tale, stating, " I often dwelt meditatively upon the old 
philosophy of the Bi-Part Soul, and amused myself with the fancy of a double 
Dupin-the creative and the resolvent. (p. 4)"  Without this personal point of view, 
the reader would be oblivious to Dupin's separate personalities. This "up close 
and personal" view of Dupin is known because of the first person narration. 
Another point of view is also useful. Monsieur Dupin solves the mystery and to 
do so, must  take on an entirely new point of view, that of the criminal. Using this 
technique, Dupin delves into the mind of a careless Frenchman and his pet 
orangutan. Poe also incorporates a gothic setting into the story. The gothic 
setting is absolute. Located on the Rue Morgue-"Death Street," the title 
foreshadows a catastrophe. The murder scene is a grotesque setting complete 
with hideously dismembered bodies and severed heads. The Paris suburb of 
Faubourg-St.Germain gives the mystery an aura of gloom and sets the stage for 
violence. The home of the pair is described as, "...a time-eaten and grotesque 
mansion, a style which suited the rather fantastic gloom of our common temper, 
long deserted through superstition into which we did not inquire, and tottering to 
its fall in a retired and desolate portion of the Faubourg St. Germain. (p.3)"  This 
description certainly echoes Poe's inclination for gothic setting, and he even 
goes so far to use words like grotesque and gloom. Both of these literary devices 
help to create an atmosphere of suspense and help further Poe's narrative.
	In "The Murders in the Rue Morgue," the reader can tell this is a Romantic 
story because of Poe's emphasis on the connection between human imagination 
and the natural world and the journey into the complex world of human emotion. 
Dupin serves as a predecessor of Sherlock Holmes as he successfully solves a 
problem by projecting himself into the thinking process of the criminal. He is able 
to collect and sift evidence, to screen the important from the unimportant in the 
conflicting testimony of bewildered or dishonest witnesses. Like many Romantic 
protagonists, Dupin depends upon his intellect and imagination to produce 
success that applies to the natural world. For example, Dupin states, "...that he 
failed in the solution of this mystery is by no means that matter for wonder which 
he supposes it; for, in truth, our friend the [police chief] is somewhat too cunning 
to be profound. In his wisdom is no [underlying principle.] (p. 35)"  Here, Dupin 
explains that the police chief could not solve the mystery because he did not use 
his imagination and emotion to find a connection to the natural world. Unlike 
Dupin, the police chief did not seek a natural world solution to a natural world 
problem. Poe also reveals a Romantic view as Dupin says, "...it is not our part as 
reasoners, to reject it on account of apparent impossibilities. It is only left for us 
to prove that these apparent 'impossibilities' are, in reality, not such.(p. 23)" 
Here, Dupin states that the human imagination cannot be limited by improbability 
when looking for solutions applying to the natural world, but must consider all 
possibilities, however improbable, until proven wrong. In other words, 
imagination and emotion should not limit, but guide the natural world. Because 
of this apparent connection, "The Murders in the Rue Morgue" is a true reflection 
of Romanticism.
 
 
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